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KALAMOTI · THE ILLUSTRATED ARCHIVE

A village to read.
A life to remember.

Architecture makes more sense when we see the life it held.

Discover Kalamoti through six illustrated chapters and 24 images from the older village website: connected houses, carved stone, household tools and people gathered at school and on the coast.

01 / KALAMOTI

A village built as a shared shell

The old architecture account describes Kalamoti as a compact, enclosed settlement whose perimeter houses helped form a defensive edge. Space was precious: homes, churches and narrow lanes were fitted closely together, with few open communal areas. This helps explain why the village is best read as a connected structure rather than a collection of isolated houses.

Its architectural history distinguishes movement at three levels: along the streets, through the interiors and across adjoining roofs. Rooms above lanes and arches between buildings joined the fabric together. These are descriptions of a historic arrangement; they do not make private interiors or roofs part of a present-day walking route.

Look a little closer

From a public lane, trace the arch from one wall to the other. Where does the street become covered?

Read the original account ↗
A sequence overhead — Repeated arches shape the view along a narrow street. Look at the spaces between them as well as the stone.
Undated in the archive

A sequence overhead

Repeated arches shape the view along a narrow street. Look at the spaces between them as well as the stone.

Source & permission

Αρχείο kalamoti.net.gr · Μαρία & Αργυρώ Κανάριου · Original album · Reproduced with permission

02 / KALAMOTI

Light, air and the xato

In the older house, the upper-level open space called xato or agerto organised circulation and brought light and air to surrounding rooms. The archive describes a stone stair leading up from the entrance, with straight, L-shaped or U-shaped layouts. The stair could be supported on vaults, linking structure with the use of the space beneath it.

The xato also gave access to the roof, known locally as the vota. It was not identical in every house: some examples were later covered and lit through raised openings. The vocabulary preserves a way of inhabiting the building, not simply a list of picturesque details.

Look a little closer

Look for the relationship between entrance, stair and upper storey without entering private property.

Read the original account ↗
The stone stair — A narrow flight of worn steps rises beneath an opening. This image illustrates circulation, not a confirmed public route.
Undated in the archive

The stone stair

A narrow flight of worn steps rises beneath an opening. This image illustrates circulation, not a confirmed public route.

Source & permission

Αρχείο kalamoti.net.gr · Μαρία & Αργυρώ Κανάριου · Original album · Reproduced with permission

03 / KALAMOTI

Doorways that tell of craft and change

The archive describes arched lintels, carved stone frames and timber doors and shutters. Earlier combinations of brick and porous stone were followed by large alternating pieces of pale and red Thymiana stone, associated in the account with the influence of the mansions of Kampos. The façade therefore records choices and changes as well as defensive construction.

Windows widened towards the interior and could include built-in seats. Small stone projections outside supported boards for flowerpots. Projecting timber bays, called sachnista or kioski, are attributed by the archive to nineteenth-century craftsmen from Chios town. A single façade can hold several periods; its photograph alone cannot date each intervention.

Look a little closer

Compare a plain opening with a carved one. Notice material, depth, colour and the join between timber and stone.

Read the original account ↗
Looking up at the timberwork — The underside and projecting sides of a wooden bay, photographed from the street.
Undated in the archive

Looking up at the timberwork

The underside and projecting sides of a wooden bay, photographed from the street.

Source & permission

Αρχείο kalamoti.net.gr · Μαρία & Αργυρώ Κανάριου · Original album · Reproduced with permission

04 / KALAMOTI

A house that also produced

The household account describes a home shaped by agricultural work. Storage, animals and processing of produce belonged close to domestic life. Bread-making, cheese-making and weaving required tools, room and repeated labour. Understanding these activities gives the ground floor, stair and upper rooms a practical meaning.

The account remembers three windmills serving the village, followed after 1950 by powered flour mills. At home, flour was sifted, sourdough prepared the evening before and dough kneaded in a wooden trough. A hand mill crushed grain for dishes such as chontros. The tools connect daily nourishment with the time and effort invested in each household.

Look a little closer

Look at the scale of the tools. What space and physical effort would each task have required?

Read the original account ↗
The hand mill — Two circular stones and a wooden handle: a household tool for crushing grain.
Undated in the archive

The hand mill

Two circular stones and a wooden handle: a household tool for crushing grain.

Source & permission

Αρχείο kalamoti.net.gr · Μαρία & Αργυρώ Κανάριου · Original album · Reproduced with permission

05 / KALAMOTI

From thread to household cloth

The cultural-tradition album follows cotton and wool through spinning and weaving. The warp, stimoni, held the lengthwise threads; the weft, fadi, crossed them in the shuttle. The names of the tools and fabrics make visible the knowledge needed to supply a household with clothing, towels, bedding and covers.

The archive distinguishes sturdy dimito cloth, finer apolyto and kordone used for blankets and bedcovers. It also describes agricultural work beyond mastic, including repeated preparation of tobacco fields. Kalamoti’s economic life was a combination of crops, animals and household production, with tasks changing through the year.

Look a little closer

Compare the stripes, density and use of the displayed fabrics. A textile records work as well as decoration.

Read the original account ↗
Cloth for a household — Striped woven textiles displayed in the tradition album. The archive describes several local types of weaving.
Undated in the archive

Cloth for a household

Striped woven textiles displayed in the tradition album. The archive describes several local types of weaving.

Source & permission

Αρχείο kalamoti.net.gr · Μαρία & Αργυρώ Κανάριου · Original album · Reproduced with permission

06 / KALAMOTI

The school as a shared stage

The older-photographs album groups school celebrations, parades and performances under the period 1955–1965. Its caption recalls a primary school with more than a hundred pupils. The pictures let us see groups, costumes and tables rather than only buildings and benefactors’ names.

Read these images beside the stories of Angeliki Damala and Georgios Kanarios. They offer context for the school’s cultural and communal role, but the archive does not identify either teacher in these particular frames. The bridal-dress photograph has a separate caption dating its festive occasion to 1935. These caption dates are retained as the archive’s attribution.

Look a little closer

Notice how people are arranged in a group photograph. A name, programme or second print could help complete its caption.

Read the original account ↗
On the school stage — Children in costume in a school performance. The album groups this photograph with school life in 1955–1965; individual names are not supplied.
1955–1965 · archive caption

On the school stage

Children in costume in a school performance. The album groups this photograph with school life in 1955–1965; individual names are not supplied.

Source & permission

Αρχείο kalamoti.net.gr · Μαρία & Αργυρώ Κανάριου · Original album · Reproduced with permission

WORDS THAT KEEP A WAY OF LIFE

A small vocabulary for your walk.

Open a term to connect it with a room, material or task described in the archive.

Xato / agerto

An upper-level open space bringing light, air and access to rooms and the roof.

Vota

The local term for the roof terrace in the archive’s architectural account.

Sachnisi / kioski

An enclosed projecting timber bay above street level.

Warp and weft

The lengthwise threads of a loom and the thread passed across them.

Hand mill

Two stone plates that crush grain as the upper stone turns.

THE VILLAGE CONTINUES

A living setting for music and photography.

The stones still host new experiences. Georgios Damalas’s public account records the Chios Music Festival’s walking performance on 28 and 30 July 2025, with photographs and video. The contemporary photography project featured in the journal offers another way to look at the settlement and its future.

Where the archive comes from.

The text has been adapted and translated from kalamoti.net.gr. Its owner authorised republication of the archive text and photographs for this guide. The older site credits Maria and Argyro Kanariou; individual photographers are not named on these album pages. Original credits are retained. This permission is not a Creative Commons licence for onward reuse.

Dates follow the original captions. Undated images stay undated, and people are not identified from appearance alone. The surviving files have not been enlarged with invented detail. Facebook and newspaper media remain with their publishers.

Add a name, date or your own photograph ↗

Your saved places

Put your stops in the order you want to visit. Copy the list or download it to keep the names and links with you.

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KALAMOTI.GR

Find your way.

A vaulted passage opening onto a narrow lane in Kalamoti

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KALAMOTI · READING ROOM

A short presentation by the Kalamoti guide, based on the cited sources.

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